Mamilla’s venerable history is as rich as it is layered. Having been adopted first by the Byzantines, whose 4th century church and cemetery marked it as holy ground, Mamilla was then designated an Islamic burial site as early as the 7th century, when the remains of the very first Muslims—the Sahabah, companions of the Prophet Muhammad—were reputedly laid to rest in its sacred soil. Aside from a brief period as a Christian cemetery during the Crusades, Mamilla served without interruption as Muslim burial grounds over the course of a 1,400 year-period of Islamic rule over Jerusalem. Growing to become the largest Islamic cemetery in the city, it housed a diverse community of Muslims, from the respected soldiers of ruler Saladin to generations of Jerusalemites spanning a wide socio-economic spectrum. Tombs of emirs, muftis, Sufi shrines and Mamluk-era mausoleums—amongst other ancient monuments and gravestones—further attest to its hallowed history. Indeed, so holy was Mamilla that in the 14th century A’lam, interment there was likened to being buried in heaven.

Today, Mamilla stands not only as a symbol and vestige of Palestinian—and Muslim—religious and cultural heritage but also as a site of exceptional universal value.  In light of its sacred significance, the plan to build a so-called “Museum of Dignity and Tolerance” on its soil is an affront to memory and identity.

Encouraged by a renewed hope for the preservation of Mamilla, ARCH (Alliance to Restore Cultural Heritage in the Holy City of Jerusalem) joins hands with the Mahmoud Darwish Foundation and Museum and the Campaign to Preserve Mamilla Jerusalem Cemetery to organise an International Poetry Festival.

With the aim of protecting and preserving the cemetery as a place of living memory and of eternal sanctity, we welcome poetry that celebrates Mamilla as a resting place for generations of Palestinian families.  Likewise, we welcome submissions that meditate upon and imagine the lives of notables and ordinary people alike who have been buried in its holy grounds.

Inspired by Seamus Heaney’s claim that every poet has double citizenship—one of locality, one of conscience—we invite poets to reflect upon locality to explore universal themes that transcend geographical boundaries.

Poetry’s crucial role in the formation of cultural identity is undeniable, especially when it provides agency in the protection and preservation of memory.  As Mahmoud Darwish affirmed, “Poems can’t establish a state.  But they can establish a metaphorical homeland in the minds of the people.  I think my poems have built some houses in this landscape.”